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Selected Issue	Volume 35, No. 4 Winter 2011 Ensembles of Digitally Controlled Acoustic Instruments Volume 35, No. 3 Fall 2011 Emulative Algorithms and Creative Algorithms Volume 35, No. 2 Summer 2011 Communication in Performance Volume 35, No. 1 Spring 2011 Human–Computer Interaction 2 Volume 34, No. 4 Winter 2010 Human-Computer Interaction Volume 34, No. 3 Fall 2010 Sound and Music Computing Volume 34, No. 2 Summer 2010 Musical Constraint Solvers Volume 34, No. 1 Spring 2010 Emotion and Expression Volume 33, No. 4 Winter 2009 Emulation of Reed Instruments Volume 33, No. 3 Fall 2009 A Tribute to Computer Music's Founder Volume 33, No. 2 Summer 2009 A Virtual Poeme Volume 33, No. 1 Spring 2009 Music Neurotechnology Volume 32, No. 4 Winter 2008 Parametric Piano Synthesis Volume 32, No. 3 Fall 2008 Synthesis, Spatialization, Transcription, Transformation Volume 32, No. 2 Summer 2008 Digital Audio Effects Volume 32, No. 1 Spring 2008 Pattern Discovery and the Laptop Orchestra Volume 31, No. 4 Winter 2007 Microtonal Controllers and Notation Volume 31, No. 3 Fall 2007 The Reconstruction of Stria Volume 31, No. 2 Summer 2007 Creating Sonic Spaces Volume 31, No. 1 Spring 2007 Bending a Cellular Automaton Volume 30, No. 4 Winter 2006 Robot Musicians Volume 30, No. 3 Fall 2006 Francis Dhomant at 80 Volume 30, No. 2 Summer 2006 Subtractive Synthesis and Musical Signal Characterization Volume 30, No. 1 Spring 2006 Mapping Gestural Input to Musical Output Volume 29, No. 4 Winter 2005 Visual Music Volume 29, No. 3 Fall 2005 Connecting Score to Synthesis in a Visual Environment Volume 29, No. 2 Summer 2005 Networks for Interdependent Music Performances Volume 29, No. 1 Spring 2005 Rhythm Detection Volume 28, No. 4 Winter 2004 Modeling Pitch Curves in Nonwestern Music Volume 28, No. 3 Fall 2004 Metrical, Harmonic, and Motivic Analysis Volume 28, No. 2 Summer 2004 Music Information Retrieval Volume 28, No. 1 Spring 2004 Real-Time Computer Music in 1951 Volume 27, No. 4 Winter 2003 Linux As a Music Platform Volume 27, No. 3 Fall 2003 Sonic Morphing and Stochastic Synthesis Volume 27, No. 2 Summer 2003 Live Electronics in Recent Music of Luciano Berio Volume 27, No. 1 Spring 2003 Allusion, Expression, and Physical Models Volume 26, No. 4 Winter 2002 Language Inventors on the Future of Music Software Volume 26, No. 3 Fall 2002 New Music Interfaces Volume 26, No. 2 Summer 2002 Music Information Processing Volume 26, No. 1 Spring 2002 In Memoriam Iannis Xenakis Volume 25 CD Volume 25, No. 4 Winter 2001 Sound in Space Volume 25, No. 3 Fall 2001 Fractal Additive Synthesis Volume 25, No. 2 Summer 2001 Performance Interfaces and Dynamic Modeling of Sound Volume 25, No. 1 Spring 2001 Aesthetics in Computer Music Volume 24 CD Volume 24, No. 4 Winter 2000 Encounters with Electronica Volume 24, No. 3 Fall 2000 Winners of the Bourges Software Competition Volume 24, No. 2 Summer 2000 New Implementations of Electroacoustic Classics Volume 24, No. 1 Spring 2000 Expressive Deviations Volume 23 CD Volume 23, No. 4 Winter 1999 Tonal Analysis and Genetic Techniques Volume 23, No. 3 Fall 1999 Research and Development at IRCAM Volume 23, No. 2 Summer 1999 Compositional Processes Volume 23, No. 1 Spring 1999 Modeling Meter and Harmony Volume 22 CD Volume 22, No. 4 Winter 1998 Dancing the Music Volume 22, No. 3 Fall 1998 Physical Modeling of Musical Instruments Volume 22, No. 2 Summer 1998 Nonlinear Systems Volume 22, No. 1 Spring 1998 New Performance Interfaces Volume 21 CD Volume 21, No. 4 Winter 1997 Modeling Analog Synthesis Volume 21, No. 3 Fall 1997 Machine Tongues: Nyquist Volume 21, No. 2 Summer 1997 Synthesis and Transformation Volume 21, No. 1 Spring 1997 Composition and Performance in the 1990s (3) Volume 20 CD Volume 20, No. 4 Winter 1996 Accomplishments and Challenges Volume 20, No. 3 Fall 1996 The Search for Musical Constructs Volume 20, No. 2 Summer 1996 Bringing Digital Music to Life Volume 20, No. 1 Spring 1996 20th Anniversary Issue: The State of the Art Volume 19 CD Volume 19, No. 4 Winter 1995 Sound Spatialization and Spatial Perception Volume 19, No. 3 Fall 1995 Synthesis and Transformation Volume 19, No. 2 Summer 1995 Artifical Intelligence and Music Volume 19, No. 1 Spring 1995 Synthesis and Transformation Volume 18, No. 4 Winter 1994 The ZIPI Music Interface Language Volume 18, No. 3 Fall 1994 Composition and Performance in the 1990s (2) Volume 18, No. 2 Summer 1994 Composition and Performance in the 1990s (1) Volume 18, No. 1 Spring 1994 Music Representation and Scoring (3) Volume 17, No. 4 Winter 1993 Music Representation and Scoring (2) Volume 17, No. 3 Fall 1993 Music Representation and Scoring (1) Volume 17, No. 2 Summer 1993 Synthesis and Transformations Volume 17, No. 1 Spring 1993 Physical Modeling of Musical Instruments (2) Volume 16, No. 4 Winter 1992 Physical Modeling of Musical Instruments (1) Volume 16, No. 3 Fall 1992 Computer Music Systems Volume 16, No. 2 Summer 1992 Advances in AI for Music--2 Volume 16, No. 1 Spring 1992 Advances in AI for Music--1 Volume 15, No. 4 Winter 1991 Dream Machines: John Pierce at 80 Volume 15, No. 3 Fall 1991 IRCAM Musical Workstation Volume 15, No. 2 Summer 1991 Performance Rules and the CAMP Project Volume 15, No. 1 Spring 1991 Interactive Algorithmic Composition Volume 14, No. 4 Winter 1990 Analysis/Synthesis Methods and LISP Programming Volume 14, No. 3 Fall 1990 Analysis/Synthesis, Pitch Detection--1 Volume 14, No. 2 Summer 1990 New Performance Interfaces--2 Volume 14, No. 1 Spring 1990 New Performance Interfaces--1 Volume 13, No. 4 Winter 1989 Neural Nets and Connectionism--2 Volume 13, No. 3 Fall 1989 Neural Nets and Connectionism--1 Volume 13, No. 2 Summer 1989 Object-Oriented Software Volume 13, No. 1 Spring 1989 Clara Rockmore Volume 12, No. 4 Winter 1988 Volume 12, No. 3 Fall 1988 Volume 12, No. 2 Summer 1988 Volume 12, No. 1 Spring 1988 Volume 11, No. 4 Winter 1987 Volume 11, No. 3 Fall 1987 Volume 11, No. 2 Summer 1987 Volume 11, No. 1 Spring 1987 Volume 10, No. 4 Winter 1986 Volume 10, No. 3 Fall 1986 Volume 10, No. 2 Summer 1986 Volume 10, No. 1 Spring 1986 Volume 9, No. 4 Winter 1985 Volume 9, No. 3 Fall 1985 Volume 9, No. 2 Summer 1985 Volume 9, No. 1 Spring 1985 Volume 8, No. 4 Winter 1984 Volume 8, No. 3 Fall 1984 Volume 8, No. 2 Summer 1984 Volume 8, No. 1 Spring 1984 Volume 7, No. 4 Winter 1983 Volume 7, No. 3 Fall 1983 Volume 7, No. 2 Summer 1983 Volume 7, No. 1 Spring 1983 Volume 6, No. 4 Winter 1982 Volume 6, No. 3 Fall 1982 Volume 6, No. 2 Summer 1982 Volume 6, No. 1 Spring 1982 Volume 5, No. 4 Winter 1981 Volume 5, No. 3 Fall 1981 Volume 5, No. 2 Summer 1981 Volume 5, No. 1 Spring 1981 Volume 4, No. 4 Winter 1980 Volume 4, No. 3 Fall 1980 Volume 4, No. 2 Summer 1980 Volume 4, No. 1 Spring 1980 Volume 3, No. 4 Winter 1979 Volume 3, No. 3 Fall 1979 Volume 3, No. 2 Summer 1979 Volume 3, No. 1 Spring 1979 Volume 2, No. 4 Winter 1978 Volume 2, No. 3 Fall 1978 Volume 2, No. 2 Summer 1978 Volume 2, No. 1 Spring 1978 Volume 1, No. 4 Winter 1977 Volume 1, No. 3 Fall 1977 Volume 1, No. 2 Summer 1977 Volume 1, No. 1 Spring 1977
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